POV: Is It "Visual Plagiarism"?

Photo © Tewfic El-Sawy-All Rights Reserved
It's rare for me to have an ambivalent view on anything, but I've stumbled across a "tweet" on my Twitter page (presumably from one of my 800+ followers addressed to another photographer) which prompts this post.

I don't want to divulge more details than is necessary, so I'll use this hypothetical example:

A travel photographer with somewhat of a distinctive style travels to a remote location and photographs its indigenous people. A year later, another travel photographer with more or less the same style travels to the same location, and photographs the same people. The latter photographer stays at the same accommodations, uses the same guide/fixer, and the subjects are the same. To my knowledge, there's no contact between the two photographers...and there's no exchange of information. However, the photographs closely resemble each other in terms of subjects and photographic style.

So the question is whether this constitutes plagiarism or inspiration. Taking the example of the Rebari shepherd in the above photograph, would it be plagiarism if another photographer traveled to Poshina in Rajasthan, stumbled on my local fixer who then somehow arranged this particular shepherd to be photographed? I don't think so.

Would it be different if the photographer, having seen the above photograph, asked the Rebari shepherd to adopt the exact same pose? Is that plagiarism or just being inspired?

Perhaps it's the degree of the imitation that resolves the question. If the photographer shot the same Rebari, and purposefully arranged the photo shoot so that he'd wear the same exact turban and tunic, against the same background? Yes, I think that's the answer. If the imitation is purposeful and premeditated, then it is plagiarism...otherwise, it's just flattery.

Yes, that's it...I think.

Foundry PJ Workshop: Instructors Line Up

What more is there to say?

Thailand: Damnoen Saduak Market

Photo © Tewfic El-Sawy-All Rights Reserved
The troubling events in the streets of Bangkok reminded me of the Damnoen Saduak Floating Market near the capital, which is a must-stop for foreign and local tourists, as well as food lovers. I've visited it almost every time I stop in Thailand, when I'm en route to Bhutan, Cambodia or Bali.

Yes, it's a tourist trap to a large degree but the food served by the women on their floating dugouts-kitchens is spectacular. I'm told that getting there very early in the morning will ensure a tourist-free experience, but I doubt it.

I'm traveling today, hence this short post.

POV: The Fact of The Matter...

The Marco Vernsachi & The Pulitzer Center "affair" seems to have somewhat calmed down after the considerable airing of divergent views, opinions and debate between photojournalists, photographers and journalists in the blogosphere.

Some of these views were expressed on Lightstalkers, which is a popular no-holds barred forum for photographers. Going through the posts, I saw one that claimed that the story (and its handling) was not only a blow to the credibility of photojournalism (which I agree), but also a blow to the credibility of some blogs (and their authors).

Huh? The Pulitzer Center was forced to formally admit (twice) its mistake in publishing an image of an exhumed corpse of a young Ugandan girl on its site, because of the bloggers' criticisms that it violated the rights of a child to dignity and privacy. If it hadn't been for the bloggers, these offensive photographs would be still on the Center's website, circulated on social networks and possibly worse.

I view this story and its results as vindication for those bloggers who had the courage of their convictions, and demand that these offensive photographs be pulled from the Pulitzer Center's website. It's hoped that the Pulitzer Centre will stand by its promise of redoubling its "efforts to authenticate every claim and to insure the privacy rights of individual victims".

The appropriate way to look at it is that the bloggers stepped in and redressed a wrong that would not have been committed had the parents of these unfortunate African children have recourse to a sophisticated legal system preventing such liberties with privacy rights.

Ian Lloyd: Asia

Ian Lloyd is an Australian photographer who has undertaken commissions for magazines such as National Geographic, Time, Fortune, Gourmet and Conde Nast Traveler and multinational companies as diverse as ExxonMobil, Pepsi, Motorola and Singapore Airlines have commissioned Ian for commercial photography assignments. He has photographed 36 books on countries and regions around Asia including large format books on Kathmandu, Bali and Singapore and a four volume series on Australian wine regions.

You'll see from the Spirit of Asia video that it's a retrospective look at 20 years of his photography in Asia. Perhaps somewhat different from most of the travel photography I have featured here on The Travel Photographer blog, but certainly of high quality that we expect from photographers who work with the National Geographic.

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Diego Vergés: The Mentawai

Photo © Diego Vergés-All Rights Reserved
Photo © Diego Vergés-All Rights Reserved
Photo © Diego Vergés-All Rights Reserved

As I indicated in an earlier post on The Travel Photographer blog, Diego Vergés is back from his 4 months trip to Indonesia (and PNG) and its various islands, and is currently working feverishly on his inventory of images.

He tells me that he has so far edited and readied only one of his expected 8 or more photo essays on the various indigenous groups of Indonesia, and that's the gallery on the Mentawai. The images are spectacular, and I encourage you to view them as they provide a window into a culture which I suspect will soon vanish.

You'll notice Diego's characteristic lighting techniques from the above photographs, and which he told he learned from The Strobist. Photographing the Mentawai, he used off camera lighting, a reflector and a softbox. For cameras, Diego uses a Canon 5d and a 5d Mark II, with prime lenses (24mm f1.4 and 50mm f1.4).

The Mentawai are the native people of the Mentawai Islands, which is a chain of about seventy islands and islets off the western coast of Sumatra. They live a semi-nomadic hunter-gatherer lifestyle in the coastal and rain forest environments of the islands, and number about 64,000. They are known by their deep spirituality, body art and the tradition of sharpening their teeth for beautifying reasons.

The Mentawai practice traditional animism, and as with other indigenous cultures, are threatened by encroaching modernism.

Hans Silvester: Omo Valley Fashion

The May-June issue of American Express' Departures magazine features the work of photographer Hans Silvester, a German photographer, who documents the extraordinary body painting of the Surma and Mursi peoples of the Omo Valley in southern Ethiopia.

The Surma and Mursi tribes are body painters. They paint their bodies with natural pigments made from the earth. They paint themselves and each other in a tradition that has remained unchanged for millenia. They use their bodies as canvases, painting their skin with pigments made from powdered volcanic rock and adorning themselves with materials obtained from flowers, leaves, grasses, shells and animal horns.

Hans Silvester was born in Lorrach, Germany, and is now based in southern France. He is recognized for a wide-ranging body of work and a protracted study of his subjects, most frequently nature, animals and the environment.

As the issue of Departures isn't yet on-line, many of the Omo Valley Fashion photographs can be found on The Daily Mail issue of February 2008.

Michael Rubenstein:India

Photograph © Michael Rubenstein-All Rights Reserved
Michael Rubenstein is a photographer based in Mumbai to cover South Asia for Redux Pictures, having lived in New York City and Portland, Oregon. He has a degree in Environmental Policy and has studied at Ohio University's School of Visual Communications.

His clients include: Time Magazine, Newsweek, The New York Times, The Wall Street Journal, The New York Times Magazine, The Oregonian, The Chicago Tribune, The Financial Times, Complex Magazine, The Paris Match, Bloomberg News Service and W+K.

Some of his work on Andheri, a Mumbai suburb being transformed into a hip neighborhood appeared in the NY Times. And it's interesting to see the stylistic difference between this photo sideshow and his India gallery on his website.

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Asian International Dog Show Photos 2010

Asian International dog show 2010 was held in Tokyo, Japan on 3rd April, 2010. Many different varieties of cute dogs participated in the show. Each one were dressed differently and came out with cute and nice hair styles. Some of the pictures of dogs/puppies at Asian International Dog Show

London Book Fair 2010

London Book Fair 2010 one of the biggest book fair will be held in Earls Court, London from 19th to 21st April, 2010. You can find a variety of book from different publishers under different topics. In order to make it easier for people to find the books they need, the book fair is divided into sectors. The timings for London Book Fair is 19th and 20th of April the book fair will be open from 9AM to 6.30 PM. On 21st April the show timings is from 9AM to PM

How to choose a web hosting company

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Akshardham laser water show Opening Ceremony - Gujarat

The first laser water show, the first of its kind in India was inaugurated on April 3rd 2010. The laser water show at Akshardham temple in Gujarat capital Gandhinagar was witnessed by more that 20,000 people on the day of opening ceremony. The video of opening ceremony of laser water show Akshardham can be found on youtube. Some distinct features of this scintillating show are: fire in the water body, formation of fireballs, scenes of various hues on the water fountains and formation of a galaxy of stars on land.