Sunday, September 26, 2010

Next Week on The Travel Photographer


I'm starting a Sunday feature in which I announce some of the posts in the pipeline for the rest of the week. Most of my posts are scheduled ahead of time but there are exceptions, which occur when I stumble on an interesting portfolio, website or issue..

I've also been frequently complimented on my POVs...and especially those containing rants. I will try my best to come up with those as soon as I can.

For the week starting Monday September 27, I have posts on:

1. A fantastic multimedia project involving Indian Sufis. You will NOT want to miss this one!
2. The work of a talented photographer involved in NGOs.
3. The work of another talented photojournalist featuring tribal life in Orissa.
4. A movie by a British journalist featuring prostitution in India.

I'm also going to release an audio slideshow of my work in Bali during the week. It documents a cremation ceremony.

Oh, and by the way...so far, I've written about 2000 posts for The Travel Photographer!

My Work: Balinese Dancers

Photo © Tewfic El-Sawy -All Rights Reserved

As some participants in my photo~expeditions seek to return with a diverse portfolio, I try to organize alternative styles of photography events during the trip...and although the primary focus is always on merging travel photography with documentary photography, I provide such opportunities to those who join them...depending on the destination.

One of the pre-arranged photo shoots during my recent Bali: Island of Odalan Photo~Expedition ™ was held at the studio of a dance master specializing in the traditional dances of the island. I asked for three Legong dancing students, and one Baris dancer to be made up, costumed and willing to pose for us. Nothing photo-journalistic was intended from it, except perhaps during the make-up preparations, but the objective was fundamentally similar to a fashion photo-shoot.

Photo © Tewfic El-Sawy -All Rights Reserved

Notwithstanding, I couldn't resist to make some non-posed photographs such as the one of the Baris dancer with the young daughter of the make-up artist. I always prefer shooting in a landscape format (to get more elements in the frame...and tell more of a story), but I also had to resort to a vertical format to shoot the Baris and Legong dancers in a traditional pose. Both of these images have their uses, and I'm not saying one is better than the other...but the landscape format lends itself better to my kind of shooting style.