Marantz PMD 620

I finally succumbed. I dropped by B&H yesterday to check on whether they had any Canon 5D Mark II batteries in stock, and walked out with a Marantz PMD 620 audio recorder.

But first things first; the LP-E6 Rechargeable Lithium-Ion batteries are unavailable. The salesman said that there were none available in the United States...perhaps an exaggeration, but probably not that far off. I guess the alternative is to buy a Canon 5D Mark II just to have a spare battery. In my view, Canon mismanaged the supply of both camera and accessories, and will eventually suffer the consequences.

Now about the Marantz PMD 620 audio recorder: I decided to replace my Micro Track which was showing its age...and it didn't perform that well in Bhutan last October. I had replaced its original microphone which had been damaged, but it still didn't perform as well as it should have...hence the new Marantz PMD 620.

I figured a new audio recorder would be useful during my forthcoming photo-expedition to South India to document Theyyam performances...I'm hopeful that the accompanying music and ambient sound during these performances will add much to my photographs.

I was glad that the Marantz PMD 620 was sold by B&H with a free 2gb SD card (it comes with a 512mb card), a free carrying case and a $100 rebate from Marantz. I briefly tested it yesterday, and think it'll work well. Why did I choose it over the other models? Well, because of these incentives.

For a detailed report on the Marantz PMD 620, check Transom Tool. I will put it through its paces in India and will write my own on my return.

BBC: Lalibela's Bet Maryam

Photo ©Karoki Lewis-All Rights Reserved
I'm not too fond of the BBC these days as a result of its unconscionable decision not to air the Gaza appeal, however it has recently published an interesting audio slideshow with photographs and audio by Karoki Lewis, and produced by Phil Coomes

As part of a series looking at religious pilgrimages around the world, Karoki recorded the all night ceremony at Bet Maryam (Church of the Virgin Mary) in Lalibela, Ethiopia, as they celebrated Orthodox Christmas in early January.

I recall being in Lalibela during Epiphany in 2004, and being part of, and photographing the pre-dawn rituals of the ancient celebration was an unforgettable experience. Ethiopian Christianity dates back to the 4th century, and as the festival of Epiphany nears, Lalibela’s population swells with 60 thousand pilgrims.

I visited the beautiful cross-shaped Church of St. George, but the awning that is visible in the slideshow wasn't there...so it must be a new addition. It certainly preserves the stone church from the elements, but it's also hideous.

(Via duckrabbit multimedia)

Peter Gasser: African Tribes

Photo ©Peter Gasser-All Rights Reserved
Every now and then, I'm confronted with photographic work of such superlative quality that my jaw literally drops. Peter Gasser's photography is such work.

Peter Gasser is a Swiss photographer, and his biography as penned by Professor Helmut Gernsheim on his website reveals his affinity for precision work. While Professor Gernsheim commends Gasser's landscape work, comparing it to that of Ansel Adams, Brett Weston and Paul Caponigro, it is his ethno-photography that left me speechless.

Peter Gasser has exhibited his work in European and United States galleries, and is the recipient of a number of awards including the official recognition from the Swiss Confederation. His photographs are at the Victoria and Albert Museum, London; the Bibliothèque Nationale, Paris; the Centre Georges Pompidou, Paris; Museum of Fine Arts, Montreal, Art institute of Chicago, International Museum of Photography, Rochester; Center for Creative Photography, Arizona and others.

While all of his galleries are collectors' items, it's his images of the African Tribes that I liked the most...even more than his work from Ladakh. The black & white portraits of the Karo and Hamer tribes people of Ethiopia's Omo Valley, of the Himba of Namibia and of the Samburu of Kenya leap out of the pages...as if lifelike.

No question about it in my mind...this is jaw-dropping work.

My thanks to Alia Refaat, a freelance photographer from Egypt, for directing me to Peter Gasser's website.