A New Dawn In Egypt?

Photo © Amr Abdallah Dalsh/Reuters

It's surreal to be at the cusp of starting on a photo~expedition while my country of origin is experiencing an unprecedented massive popular uprising to get rid of the current regime of Mubarak, the Egyptian president....who announced that he would remain as its leader but sack its government.

There are a number of thoughts that come to mind. This is a real organic grassroots popular uprising in Egypt against an extremely unpopular and corrupt regime. The Egyptians participating in the uprising are secular, young, educated and less so, and are technological-savvy. There are no signs of religious ideology, of Islamist influence, in these demonstrations.

I sensed that many of the Western pundits are shocked (and possibly disappointed) that there is no whiff of Islamic extremism in the demonstrations...this pulls the rug from under the Western (and the current Egyptian leadership) interests who would like to characterize the uprising as another Iran.

While Mubarak signaled his decision to stay in power, it's not up to him any longer. It's the Egyptian youth who will decide the course of the nation...as it should be.

It's an unparalleled opportunity for the United States to support the Egyptian people in its quest for democracy, and eliminate all anti-Americanism feelings in the whole region by doing so. Imagine if the US administration unequivocally declares its support for the uprisings in Tunisia and Egypt!

Incha' Allah there will be a new dawn for Egypt and its people.

(Posted from Delhi)

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An Essay On Photojournalists' Scarves....Or Not

This essay on scarves was written and sent to me by a photographer-photojournalist who wants to remain anonymous. Complaints, thoughts and remarks can be sent to him/her. I've edited, reworded and excised parts to keep it shorter.

"The first reason for photojournalists wearing scarves is that these instantly and with certainty identifies you as a PHOTOJOURNALIST, and removes you from the pool of suckers known simply as "photographers", especially "art" photographers.

The second reason photojournalists love scarves (especially those of ethnic origin) is that it tells non-photojournalists know that we are exotic, and that we do exotic, non 9 to 5, non traditional type things.

The third reason is that wearing the ethnic scarf will make other people instantly assume the photojournalist has a deep connection with, has spent time living with, has created a powerful but yet unseen photographic essay about, the ethnic group that wears that particular scarf.

The most popular, but lacking in credibility is the Keffiyeh. It has become stylish, fashionable, and carries with it a strong hint of activism. It's out of favor except for newbies. It's one thing to wear it around the neck...which is barely passable, and quite another having your picture wearing it as a turban (think Yasir Arafat) on your website bio or Facebook page...this signals the world you're a miserable ass...and that you're prematurely bald.

The second type of scarf is the Cambodian Krama. This particular scarf shows you have worked in the conflict ridden regions of Cambodia (also known as Angkor Wat), and most probably Thailand's southern beach wars as well, and that you suffered from malaria and bouts of sunburn, and dangerous girls on the battlefields of Koh Samui.

The third is the African scarf- the Tagelmust. Worn by Tuareg nomads in the Sahara, these scarves are worn by the old school of photojournalists- those who have covered the north African conflicts, tragedies like Darfur, the Western Sahara, the Polisario, Algeria, even Southern Sudan! This is the Ferrari of scarves."

By the way, if you haven't seen and bookmarked Shit Photojournalists Like, you ought to. I don't think it has mentioned scarves, yet...but it will have to sooner or later. You'll see.