Wednesday, April 27, 2011
Anindya Chakraborty: Charak Puja
Another religious festival comes to The Travel Photographer from Anindya Chakraborty, a self taught photographer from Kolkata. A software engineer in "real" life, Anindya started photography in 2006. He's gravitating towards documentary photography, and on his moving the United States, did a series on Bodie Ghost Town, New Orleans and finally on broken American Dreams. Some of his work was published in Picsean Travel Magazine.
These can be seen on his SmugMug website.
However, I recommend you view Anindya's Charak Puja on The Invisible Photographer website where the photo essay is presented as a flash slideshow.
Charak puja is a traditional festival celebrated mainly in the rural areas of Bengal. It's unique amongst Bengali festivals because it's dedicated strictly to penance. The men and women, seeking to undertake the ritual, have to go through a month-long day fast, subsist only on fruits & perform daily worship.
On the day of the Charak, bamboo poles are erected with height ranging from 10 to 15 feet. The devotees step up to the stages, and are impaled with hooks which are attached to the poles. The devotees are then suspended from these poles.
Reminiscent of the Thaipusam festival, the Hindu devotees of the Charak festival seek penance and self-mortification to achieve salvation.
Tuesday, April 26, 2011
The Leica File: The Xiangqi Player
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| Photo © Tewfic El-Sawy- All Rights Reserved (Leica M9. 1/250 sec f2.8 Elmarit 28mm) |
When the weather is good during the weekends, Columbus Park in NYC's Chinatown sees large numbers of Chinese playing xiangqi, a two-player board game similar to Western chess, and one of the most popular board games in China. Xiangqi is believed to be descended from the Indian chess game of chaturanga, and may have been played as early as the third century BC.
The majority of Chinatown's inhabitants are from the Guangdong, Toisan and Fujian provinces in China, as well as from Hong Kong. They flock to Columbus Park for socializing, play cards and chess, listen to Chinese street opera and even air their caged birds.
This fellow was so intent on his game that I could've aimed my lens an inch from his face and he wouldn't have noticed. Click the picture to enlarge.
I must say that the recent Thumbs Up EP 1 purchase has greatly improved my comfort level in handling the M9...it now fits much better, and I have better control. The only inconvenience is that with the EP1 on, the M9 is more difficult to pull out of my jacket pocket...but it shouldn't be in there in the first place, should it?
Monday, April 25, 2011
Paul Patrick: Sabarimala Pilgrimage
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| Photo © Paul Patrick- All Rights Reserved |
What drew my attention to his website was that one of his galleries is of Sabarimala pilgrimage in Kerala which Paul describes as one of the largest religious festivals in the world, with an estimated 50-60 million pilgrims visiting it every year. It's virtually unknown outside of India.
The Sabarimala pilgrimage is frequently described by the Indian press as the 'Mecca of Hindus'. The temple is dedicated to Ayyappa, who is believed to be Shiva’s third son and brother of Murugan and Ganesha. It is situated on the mountain ranges of the Western Ghats. The temple is accessible only by foot, and the millions of pilgrims to Sabarimala vow to abstain from sex, and other acts, for 41 days before embarking on the pilgrimage. No women over the age of 60 is allowed on this pilgrimage, nor are girls younger than 6. The routes taken by the pilgrims can range in distance between 8 kilometers (the shortest one) and another of more than 60 km across three hills.
Note: I am in the process of scheduling a photo~expedition in March 2012 to document a couple of religious festivals in Kerala (but not Sabarimala though). Details will be forthcoming shortly.
Note: Sreekanth Sivaswamy, a photographer and reader of this blog emailed me a correction. It's women between certain ages (some websites claim it's between 6 and 60, while others it's between 10 and 50) who are not allowed to enter the temple, since the legend attributed to Ayyappa prohibits the entry of the women in the menstrual age group.
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