Test Shots: Panasonic GF1 + 20mm f1.7 Lens

Photo © Tewfic El-Sawy-All Rights Reserved
Photo © Tewfic EL-Sawy-All Rights Reserved
Here's a couple of "on-the-go" photographs made with my brand-new Panasonic GF1/20mm 1.7 lens on Bleecker street in NYC's West Village. There was a couple of garbage bags on the sidewalk which I had to frame out of the top photograph by chopping off the woman's shoes. The second is of a woman balancing 4 (actually 5, I think) lemonades and seemingly on collision course with another...it didn't happen.

I shot these with the GF1's Intelligent Auto mode on; essentially the "point & shoot" mode, which I'm using for a couple of days until I get used to its handling. The IA mode allows me to photograph in both RAW and jpeg. The images above are the jpeg versions (out of the camera), and were slightly sharpened with CS. Click on them for a larger size.

In my opinion, the GF1 is a hybrid between a point & shoot and a rangefinder, and is ideal to carry on photo walk-abouts. It's probably a camera that P&S shooters will consider as a step-up, while DSLR users will view it either as a backup or as a carry-around tool. The shutter lag isn't too bad...in fact, I didn't find it to be much of a problem. It's there, but it's not significant.

It still bothers me not having a viewfinder (a Panasonic EVF or Voigtlander OVF may be my next purchase) to look through, but perhaps I'll get used to it. One of the notable advantages of this camera is, when photographed, people don't seem fazed (or threatened) by it as compared to a DSLR.

I carry it on a hand strap, and I find that it doesn't nestle easily in my hand. Maybe I'll get used to it in a few days.

Am I in love with the GF1? Not yet...I like it, and getting used to it...but it's not love (yet).

Paolo Evangelista: Zanzibar

Photo © Paolo Evangelista-All Rights Reserved
Paolo Evangelista holds degrees in music and anthropology, but decided to pack his bags, his espresso machine (after all, he's Italian) and his cameras to live in Australia for a while. Currently based in Perugia, he traveled to Zanzibar where most of his galleries are of.

Most interesting are Paolo's street photographs in Stone Town.

It's the old city and cultural heart of Zanzibar, where nothing much has changed in the last 200 years. Its winding alleys, bustling bazaars, lovely mosques and typical Arab houses are exquisite backdrops for this sort of photography. Its name conjures sea traders, explorers, Sultans and the fragrance of exotic spices. It was also declared a World Heritage Site by UNESCO.

Also of interest to me is Paolo's gallery of Sydney's Chinese market, since I photograph in New York Chinatown.

MSF's Starved For Attention

"this year 195,000,000 children will suffer from malnutrition"

and so starts “Starved for Attention” the extremely well produced multimedia campaign by Doctors Without Borders/Médecins Sans Frontières (MSF) and VII Photo which exposes the neglected and largely invisible crisis of childhood malnutrition.

The campaign aims to present a series of multimedia documentaries of still photography and video from the well-known photojournalists at the VII Agency, such as Marcus Bleasdale, Jessica Dimmock, Ron Haviv, Antonin Kratochvil, Franco Pagetti, Stephanie Sinclair, and John Stanmeyer.

The first multimedia reportage is titled Frustration and is by Marcus Bleasdale, who narrates it out of Djibouti.

Bookmark this website, since the remaining reportages will be featured over the course of the coming months.

For more background on the project, JournalismNow features an interview with Ron Haviv, which touches on his work in Bangladesh for Starved For Attention.