Dilla Djalil-Daniel: The Istanbuli Silversmith

Photo © Dilla Djalil-Daniel-All Rights Reserved

Photo © Dilla Djalil-Daniel-All Rights Reserved

Photo © Dilla Djalil-Daniel-All Rights Reserved

Dilla Djalil-Daniel is a photographer currently living in Jakarta, and attended the Foundry Photojournalism Workshop in Istanbul.

She participated in Andrea Bruce's class, and chose me to review one of her portfolios of the Cap Go Meh celebration in Singkawang, West Kalimantan. Naturally, this captured my undivided attention on account of her colorful images of the unusual rituals and trances.

Dilla traveled around the world for her photography, especially in Asia and has a large portfolio that ought to be shown on her own personal website, which I urged her to have.

Her project in Istanbul for Andrea's class was documenting a day in the life of a traditional silversmith in Istanbul's Grand Bazaar whose name, Kennedy, is definitely nontraditional. It seems his parents named him after the US president after he was shot in Dallas. Many of the silversmiths in Istanbul are ethnic Armenians.

Here is a selection of her images which were part of the students' projects shown during the last evening of the workshop. Somewhat of a departure for Dilla, as it was shot in a photojournalistic style and in B&W.

POV: I Don't Kneel To A Golden Calf

A few days ago, I posted an opinion piece (or POV) on a renowned photographer about to engage in a project which I deemed unrelated to his travel documentary specialty.

As a consequence, I was criticized by a half dozen people in the blogosphere who, perhaps having misread the gist of my opinion, disparaged my photography, my prior career, my being Egyptian-born (as if that made me unfit to speak my mind), etc. Bah.

I was reminded of Jean-Jacques Rousseau who said: "Gratitude is a duty which ought to be paid, but which none have a right to expect" when I noticed some of the disparaging remarks on that blog were made by the very same people whose photographic work was frequently lauded, applauded and supported on my blog. Double Bah.

I don't know for sure why these people resorted to abusive ad hominem, but one of my guesses (and I have a few) is that they sought to get back at me for not being a lemming, for being an iconoclast of sorts, for not sharing their "gods", golden calves and icons, or to force me into a mold of their choosing. People simply don't like people who are not like them and don't act like they do...it's small-minded tribalism.

So move on boys and girls...I don't need you to tell me what to think and say, nor do I kneel to your golden calves. Get it?

Just so we're clear: A few expressed their disagreement with my view, but did not resort to insults. To those, I say thank you for your point of view...and let's agree to disagree.

Dede Pickering: Bhutan

Photo © Dede Pickering-All Rights Reserved
Dede Pickering has just returned from Bhutan with a collection of new photographs, which she posted on her Bhutan Gallery. She traveled in that Himalayan country from its west to its east and trekked in the rarely visited Sakten Valley.

I chose Dede's lovely photograph of the unfurling of a thongdrel for this post. The thongdrel is a large tapestry typically depicting a seated Guru Rinpoche surrounded by holy beings, the mere viewing of which is said to cleanse the viewer of sin. During tsechus, it's unrolled before dawn and rolled up by morning.

Having retired from the corporate world, Dede became a world traveler and photographer. She has traveled to Antarctica, Mongolia, Tibet, Nepal, Bhutan, Burma, China, Cambodia, Peru, Patagonia, Kosovo, Albania, Rwanda, New Zealand, Guatemala, South East Asia and has made multiple trips to Africa and India, but her passion is the Himalayan Region.