Friday, August 27, 2010

Rose Schierl: Bali Island of Odalan

Photo © Rose Schierl-All Rights Reserved

Here's the work of Rose Schierl; the second participant of the Bali: Island of Odalan Photo~Expedition ™ to send images to post on this blog.

Rose has been photographing since 2005, and only gone digital two years ago. She hasn't gone through any formal photographic education per se, but attended various short workshops, and those set by Arizona Highways. Rose won an award at a juried show for one of her photographs in 2009. She's also an accomplished diver, and before the photo expedition was on a diving vacation for a couple of days in the north-west of the island.

So far, it appears the fire-walkers at the end of the Kecak dance performance we attended in Ubud was a favorite subject for the group members. Rose managed to capture one of them kicking a blast of glowing embers (above).

Photo © Rose Schierl-All Rights Reserved

One of the shoots I organized during the photo-expedition was at the house of a wayang kulit (shadow puppet) master, where we were treated to a private performance The wayang kulit is an extremely important vehicle of culture, serving as carrier of myth, morality play, and form of religious experience rolled into one. Here, the master is moving one of his shadow puppets during the performance.

Photo © Rose Schierl-All Rights Reserved

Here's a Balinese villager who was attending a night odalan in Bitra village. The temple anniversary was one of the most interesting we've been to during the 2 weeks photo-expedition. Not only did it involve the requisite day-time religious prayers and offering in an exquisite forest setting, but it included performances of Barong and Arja dances.

Photo © Rose Schierl-All Rights Reserved

Rose captured a dancer during an evening Legong performance at Ubud's palace. The performance included various dances, such as the Gabor, Baris, Kraton and the Taruna Jaya.

New Canon D60



It's all over the blogosphere...Canon announced the EOS 60D, a sort of “replacement” for the 50D. According to the reviews, the 60D body is plastic, and uses SD cards instead of the CF.

It's certainly built for video. It has a pop-out, tilt-and-swivel rear screen which, even if it's Canon’s first on an SLR, would just drive me insane. Video can be shot at different sizes and speeds. 1080p is available at 24p, 25p or 30p frame rates.

According to WIRED's Gadget Lab, its 18MP sensor (like the LCD panel) is the same as in the 550D or Rebel T2i, its AF system comes from the 50D and the 63-zone exposure meter comes from the 7D. So it's dubbed the "Frankencam".

It will go on sale in September for $1,100 body-only.

Santa, I have no interest.

Thursday, August 26, 2010

Matt Allard Captures Geishas



Matt Allard is a Team Leader- Cameras for Aljazeera International based out of Kuala Lumpur covering Asia/Pacific and the sub continent, and has produced a movie documenting the changing culture of geishas. Due to the world financial crisis, even well-entrenched traditions have had to adapt in Japan, as elsewhere, and geishas in Kyoto have had to follow suit.

Matt used a Canon 7D, 5Dmk2 and 7 lenses to shoot this assignment. The lenses used were a Canon 70-200mm f2.8 IS II, 50mm f1.2, 135mm f2, 24-70mm f2.8, 100mm Macro f2.8, 16-35mm f2.8 and a Tokina 11-16mm f2.8. All interviews were shot on the 70-200mm. All the audio was recorded on a Zoom H4N using either Seinnheiser radio or shotgun mics. It was edited using FCP and ran on Aljazeera English on the 19th August 2010 around the world.



Also from Matt Allard is this movie depicting the same modern day girl transforming into a Geisha in Kyoto, Japan. It was made using a Canon 7D and a 5D Mark 2 using a Canon 100mm f2.8 Macro and a Canon 16-35mm f2.8. The ambient light and the angles used by Matt are just perfect...the colors are beautiful.

Via DSLRrnewsshooter.com