An Essay On Photojournalists' Scarves....Or Not

This essay on scarves was written and sent to me by a photographer-photojournalist who wants to remain anonymous. Complaints, thoughts and remarks can be sent to him/her. I've edited, reworded and excised parts to keep it shorter.

"The first reason for photojournalists wearing scarves is that these instantly and with certainty identifies you as a PHOTOJOURNALIST, and removes you from the pool of suckers known simply as "photographers", especially "art" photographers.

The second reason photojournalists love scarves (especially those of ethnic origin) is that it tells non-photojournalists know that we are exotic, and that we do exotic, non 9 to 5, non traditional type things.

The third reason is that wearing the ethnic scarf will make other people instantly assume the photojournalist has a deep connection with, has spent time living with, has created a powerful but yet unseen photographic essay about, the ethnic group that wears that particular scarf.

The most popular, but lacking in credibility is the Keffiyeh. It has become stylish, fashionable, and carries with it a strong hint of activism. It's out of favor except for newbies. It's one thing to wear it around the neck...which is barely passable, and quite another having your picture wearing it as a turban (think Yasir Arafat) on your website bio or Facebook page...this signals the world you're a miserable ass...and that you're prematurely bald.

The second type of scarf is the Cambodian Krama. This particular scarf shows you have worked in the conflict ridden regions of Cambodia (also known as Angkor Wat), and most probably Thailand's southern beach wars as well, and that you suffered from malaria and bouts of sunburn, and dangerous girls on the battlefields of Koh Samui.

The third is the African scarf- the Tagelmust. Worn by Tuareg nomads in the Sahara, these scarves are worn by the old school of photojournalists- those who have covered the north African conflicts, tragedies like Darfur, the Western Sahara, the Polisario, Algeria, even Southern Sudan! This is the Ferrari of scarves."

By the way, if you haven't seen and bookmarked Shit Photojournalists Like, you ought to. I don't think it has mentioned scarves, yet...but it will have to sooner or later. You'll see.

Jackie Alpers: Food Photographer

Photo © Jackie Alpers-All Rights Reserved

What is a food photographer doing on the blog of The Travel Photographer, you ask?

Well, it's a case of mistaken identity from Jackie's side. You see, I saw a message yesterday in my tweet feed from Jackie Alpers saying that she was thrilled to have been featured on The Travel Photographer's blog. Since I was flying over the Atlantic at the time, and unaware that I had posted any new posts since leaving New York City earlier that day, I was puzzled.

Not for long though. I clicked on the link on her tweet and saw that it led to a "travel photographer"...a generic kind of blog giving no photographer name, no personal identity and seemingly just a sort of website to sell stuff....or something.

I was initially excited to see that someone may have had the silly idea to ape my blog and risk legal headaches...but it soon waned when I realized what it was.

Jackie sounded so thrilled in her tweet that I decided to feature her work on the REAL The Travel Photographer blog. May it bring her luck and exposure.

Jackie Alpers is a food, culture & cuisine photographer based in Tucson, Arizona who specializes in photography for cookbooks and magazines, among others. Her biography is quite interestingly illustrated, and I recommend you drop her website.

Geoffrey Hiller: India

Photo © Geoffrey Hiller-All Rights Reserved

I've recently received an email from Geoffrey Hiller with the link to his dedicated India website with photo galleries of its various cities and areas. The one that caught my particular attention, since I've announced a photo expedition to Kolkata during the Durga Puja, was his work in Kolkata . The rest of his galleries are of Mumbai, Bangalore, Mysore and Chennai.

You'll see that Geoff's photographs of this quintessential Indian city is a mix of environmental portraits and classic street photography, including a few shots made during the Durga Puja too.

To my knowledge, Geoffrey Hiller is one of the first photographers who embraced multimedia, and I recall his work on Burma which introduced me (and certainly others) to this medium. His photography has been published in the United States, Europe, and Japan in such publications as Geo, Newsweek, Mother Jones, and The New York Times Magazine. His photo-essays have covered Asia, Latin America, Europe, and West Africa, and his multimedia projects about Vietnam, eastern Europe, Ghana, Burma, and Brazil have earned recognition from Adobe, the Soros Foundation, Apple, The Christian Science Monitor, and USA Today.

(Posted From London)